Matthew Sisco

Sound for Film. Sound for Crowds

Commercial Sound Reel: https:// drive.google.com/file/d/ 1tTYnnGAx5CBpJIny6do7B_HxAvciv8Z4/ view?usp=drive_link

Production Sound Mixer, Post Production Sound, Front Of House and Monitor Engineer

Two decades of experience as a Sound Engineer in Film and Music. A musician at first, then establishing an independent Studio LLC in 2000. In 2008 transitioned to Live Sound Reenforcement work, then further developed through Film school at Wayne State University to include Film and Media production. Fast, intuitive and creative in the field, possessing a passion for delivery of the highest quality audio experience in any situation.

Film and Media Projects

Recorded Production Sound for Independent Feature FIlms, Documentary, Commercials,TV and Digital Content. Clients include Independent Film Studios, Corporate and Creative Studios. Has worked in South East Michigan, the Midwest and as far away as Southern Nevada. Trusted with Productions that have ranged from Micro Budgets, up to Eight Million, and have been enjoyed on Television, in Theaters and Online in several markets.

Sound Reinforcement

Skilled Front of House Engineer and Monitor Engineer. Sound System setup, calibration and stage management. Has engineered live performances in Concert Venues, Houses of Worship, Municipal, Corporate Performances, Seminars and Conventions, Outdoor Festivals and local Clubs.

Production Sound Mixer (2014 to Present)

Has to date recorded over 30 Independent Feature Films and countless other productions in documentary and commercial realms. Sound recording inventory includes only up to date, Industry standard tools. Provides on-location coverage for any Event, Film, Series, or Corporate Content. ENG or EFP. A full equipment list will be provided upon request and is always expanding.

Live Sound Engineer (2008 to Present)

Has worked in several studios and live situations and is native to a long list of analog and digital consoles, recording devices and effects processors. Proficient in most major production software. Has real world experience with other engineers and has worked with some of the best in the country. The venue is never an obstacle. Is able to adapt ConcertVenue principles to temporary environments to connect performers and speakers to a Live audience.

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